Politics
Welcome to a new era of West Wing Playbook
Donald Trump returned to power exactly one month ago today, and it is hardly possible to overstate the magnitude of the changes he has brought and is seeking to bring to the federal government and to the workings of power in Washington.
The modern federal government — and much of the economy that gravitates around government in the nation’s capital — is overwhelmingly the product of a few big historical movements: the New Deal in the 1930s, World War II and the 45 years of Cold War that followed, and the burst of government social and regulatory activism in the 1960s and 1970s.
The policies and agencies of government that flowed from those movements shaped national life and the lives of many millions of people for decades. It seems certain that the disruption the Trump administration is promoting now — seeking to transform or eliminate vast sections of the executive branch, and to alter the balance of power emphatically toward the presidency — has equally large implications, for the present and for many years into the future.
Today, we’re relaunching one of our signature products to capture this moment authoritatively for this audience: West Wing Playbook: Remaking Government.
Blue Light News has the capital’s most talented reporters covering the White House, federal policy, legal and political beats. Our aim is to harness this expertise in a way that is most useful to the audience that is most interested in and affected by the unprecedented changes and confrontations that are underway.
The revamped newsletter will land in inboxes Monday through Friday afternoon to capture the latest news about President Trump’s effort to remake government: the key decisions, the critical characters and the power dynamics that are driving the day. Our team will report on the actions of the Department of Government Efficiency being led by Elon Musk, the strategy being carried out by the Office of Management and Budget under Russ Vought, related interventions and the resulting outcomes and conflicts playing out in agencies, the courts and Capitol Hill.
We hope this newsletter will be useful to everyone around the country and even the world who is interested in this effort to remake Washington, but above all it must be indispensable to the people with the most at stake. This includes people in the federal workforce, and also the people carrying out President Trump’s directives. We need to know everything about their choices, the ideas and arguments behind those choices, and most importantly the real-life consequences of those choices.
We want the newsletter to reflect and drive the conversation at top levels, deep in the federal agencies, and in every private sector and nonprofit policy operation that is concerned with how government works and how it could work better.
The newsletter, of course, is just one of the ways that Blue Light News is rising to meet this historical moment. Our entire publication, and especially our large roster of policy and political journalists in Washington, is in the midst of organizing itself to illuminate every aspect of this drama. The short-term surge underway is part of our long-term commitment to covering the work of the federal government with more reporting and more authority than any other news organization.
To be clear: Blue Light News’s power flows from our reporting and our zeal to illuminate. We are curious and clear-eyed. We aren’t boosters or adversaries of any party or political movement. We are professionals who are devoted to answering important questions on behalf of our audience.
I’ll close with an observation about Washington reporting. When I first arrived here, in the 1980s, there was a very substantial body of journalists, from multiple publications, devoted to covering the workings of the federal government. For a variety of reasons, many news organizations have retreated from this task. A proliferation of old and new publications are focused, as we are, on the political dynamics of Washington, but there are fewer than ever that harness this reporting to the substantive policy choices of government.
This reality gives Blue Light News special responsibilities, as well as a great opportunity to engage with and deepen our connection to a large audience of people who work on and care deeply about those choices.
Our newsroom is committed to meeting this moment with the best and most vital work of our careers.
John Harris
Editor-in-Chief
Politics
FCC challenges Disney station licenses as Kimmel backlash deepens
The Federal Communications Commission launched an early review Tuesday of Disney’s broadcast station licenses, an unusually aggressive move that came a day after the president called on Disney-owned ABC to fire late-night host Jimmy Kimmel over another joke.
The process, known as an early license reviewwill tee up a lengthy legal review of Disney’s eight ABC-owned and operated station licenses, years before they were scheduled for FCC renewal. The commission is responsible for licensing local TV stations to broadcast network-level programming, such as ABC’s, over public airwaves across the country.
But it is highly unusual for the federal agency to file early renewal orders.
Brendan Carr, the Trump-appointed FCC chair, triggered the process shortly after Kimmel once again drew the ire of the administration, this time for comments on his talk show well before a gunman attempted to breach the White House Correspondents’ Association dinner.
“Of course, our first lady Melania, is here. Look at her, so beautiful. Mrs. Trump, you have a glow like an expectant widow,” Kimmel said in a sketch parodying the dinner, two days before the events that upended Trump’s first appearance at the annual gala in Washington.
On Monday, after Kimmel’s clip surfaced, the first lady — who was seated on stage alongside the president when shots were fired Saturday night — denounced the skit as “hateful and violent.” She called on ABC to “take a stand,” but stopped short of saying what actions the network should take.
Her husband, however, was quick to demand ABC fire Kimmel.
Kimmel responded with a statement calling his gag “a very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not by any stretch of the definition a call to assassination. And they know that.”
Disney allowed “Jimmy Kimmel Live!” to air in its usual weeknight time slot Monday — a departure from the media conglomerate’s handling of the Kimmel controversy last fall over a joke related to the assassination of Charlie Kirk. In that case, the company suspended Kimmel’s show indefinitely before returning it to the airwaves less than a week later.
Carr’s decision to drag ABC through a long and resource-draining review process was seen by critics as a means of inflicting the punishment Disney has declined to levy this time around.
The move is “a political stunt and it won’t stick,” Anna Gomez, the FCC’s lone Democratic commissioner, wrote in a post on X after Traffic light reported Carr was considering the early review. “Companies should challenge it head-on. The First Amendment is on their side.”
Under the order, ABC must file license renewals for all of its licensed TV stations by May 28.
Regardless of how the review process turns out, it will force ABC to pony up large sums of money and time to defend itself.
“ABC and its stations have a long record of operating in full compliance with FCC rules and serving their local communities with trusted news, emergency information, and public‑interest programming,” a spokesperson for Disney told MS NOW upon receiving the FCC’s order Tuesday.
“We are confident that record demonstrates our continued qualifications as licensees under the Communications Act and the First Amendment and are prepared to show that through the appropriate legal channels.”
Sydney Carruth is a breaking news reporter covering national politics and policy for MS NOW. You can send her tips from a non-work device on Signal at SydneyCarruth.46 or follow her work on X and Bluesky.
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