The Dictatorship
The Smithsonian’s changing stories about Trump and impeachment
The Smithsonian’s National Museum of American History wants us to believe that there’s been a misunderstanding and that it’s not the latest major institution to wave a white flag before President Donald Trump.
In a move that critics worried could be an attempt to better align itself with Trump’s vision, the NMAH, as The Washington Post reported Thursday, removed mention of President Donald Trump’s impeachments from one of its main exhibitions, “The American Presidency: A Glorious Burden.” Congress leveled impeachment charges against Trump — twice. And Trump called the House of Representatives’ 2019 vote to impeach him “an embarrassment to the country.”
Trump called the House of Representatives’ 2019 vote to impeach him ‘an embarrassment to the country.’
But following accusations from Senate Minority Leader Chuck Schumer, D-N.Y., Friday that Trump was attempting to “rewrite history,” the museum said in a statement Saturday that information about Trump’s impeachment trials will be returned to the exhibit soon and that the placard mentioning those impeachments “did not meet the museum’s standards in appearance, location, timeline, and overall presentation.” The statement also said that the museum had not been “asked by any Administration or other government official to remove content from the exhibit.”
If you find that explanation hard to believe, that’s probably because the Smithsonian has been a preoccupation of Trump’s and his selectively backward-looking MAGA political movement. This year, Trump issued an executive order called “Restoring Truth and Sanity to American History” that blasted the Smithsonian’s acclaimed National Museum of African-American History and Culture as promoting “divisive race-centered ideology.” Shortly thereafter, Trump accused Kim Sajetthe director of the Smithsonian’s National Portrait Gallery, of being a “highly partisan person, and a supporter of DEI” and called for her removal. She eventually resigned.
In that initial Thursday report, The Washington Post’s Janay Kingsberry noted that the NMAH edited the “Limits of Presidential Power” section of its exhibition by turning back the clock and removing information about Trump’s impeachments that had been on display since September 2021. In a statement to the newspaper for Thursday’s story, Smithsonian spokesperson Phillip Zimmerman said, “The section of this exhibition covers Congress, The Supreme Court, Impeachmentand Public Opinion. Because the other topics in this section had not been updated since 2008, the decision was made to restore the Impeachment case back to its 2008 appearance.” The timing has understandably raised eyebrows.
Only after that story was published did the Smithsonian tell the newspaper that “a future and updated exhibit will include all impeachments.” In Saturday’s statement, the museum mentioned the appearance of the placard and said the update would be made “in the coming weeks.” For accuracy’s sake, we should hope so.
As it stands now, though, the section only includes President Andrew Jackson’s 1868 impeachment, President Bill Clinton’s 1998 impeachment and President Richard Nixon’s 1973 impeachment hearings. While Trump stands alone as the only U.S. president to be impeached twice, there’s presently no mention of this distinction.
The exhibit now says ‘only three presidents have seriously faced removal,’ but that hasn’t been true for almost six years.
As The Washington Post notes, the exhibit now says “only three presidents have seriously faced removal,” but that hasn’t been true for almost six years.
Though the Smithsonian insists it wasn’t pressured by Trump, The Washington Post’s Thursday report said the Trump references were removed from the impeachment exhibit after the Smithsonian undertook a full-scale content review following pressure from the White House and accusations of partisan bias. Again, that jibes with Trump’s statements about the Smithsonian’s museums and with his forcing out of the portrait gallery’s director.
Indeed, after months of political pressure, the Smithsonian announced in June that directors at all of the Smithsonian’s 21 museums and galleries were required to inspect their content and make any changes, including personnel changes, to “ensure unbiased content.”
Mention of Trump’s impeachments just so happened to be erased weeks later.
Over the decades, the Smithsonian has occasionally found itself ensnarled in political controversy and faced pressure to modify its exhibitions. For the 50th anniversary of the U.S. dropping atomic bombs on Japan, the Smithsonian’s Air and Space Museum repeatedly adjusted its content about the decisive action and its tragic fallout in response to political outrage over even a whiff of critical reflection about the bombings. Eventually, the museum canceled the exhibition altogether, and its director, Martin Harwit, resigned after Congress called for his removal and threatened to cancel funding.
More than a decade later, the National Portrait Gallery made headlines for pulling a video installation commenting on the 1980s AIDS crisis on the grounds it was sacrilegious.
Of course, we’d suspect Trump of being involved in the editing out of his impeachments when he and his MAGA political movement support censorship and revisionist histories that recast the United States and Trump himself as heroic and blameless.
Of course, we’d suspect Trump of being involved in the editing out of his impeachments.
Saturday’s statement from the Smithsonian says it hasn’t yielded to political pressure. Let’s hope that’s true, because like the dismantling of DEI programs and the multimillion-dollar settlements agreed to by universities under attack from Trump’s government, any capitulation from the Smithsonian would hit hard. We expect, we need more from our civil society institutions if they are to serve as a counterbalance to political and economic power. Civil society, which includes our public museums, libraries and universities, is not separate from politics or the economy, but it’s important that those institutions not be dictated by them.
Let’s face it: Like all colonial projects, museums are not neutral,but they have long been essential in supplementing school curricula, serving as research centers, educating American and international tourists, and contributing to regional economies. It’s impossible to imagine Washington, D.C., without the National Mall and its assorted museums, monuments and memorials. But it’s getting easier to imagine wild additions and deletions being made to them without truth or the public’s trust in mind.
This is especially the case considering that White House spokesperson Davis Ingle characterized the Smithsonian’s removal of Trump’s impeachments as an opportunity to better “highlight American greatness” rather than what the Trump administration considers “divisive” content. We’re left to wonder what further changes we’ll see, who will make the final call and with whose interests in mind.
Truthfully representing our national history, including the shameful parts and not just the heroic ones, is the Smithsonian’s glorious burden. Unfortunately, with the way this latest move was executed, there’s reason to doubt it’s up for the challenge.
Robyn Autry
Robyn Autry is a sociology professor and director of the Center for the Study of Public Life at Wesleyan University. She is the author of “Desegregating the Past: The Public Life of Memory in the U.S. and South Africa.”
The Dictatorship
US sanctions China-based oil refinery and 40 shippers over Iranian oil
WASHINGTON (AP) — President Donald Trump’s administration is placing economic sanctions on a major China-based oil refinery and roughly 40 shipping companies and tankers involved in transporting Iranian oil.
The move, announced Friday and first reported by The Associated Press, makes good on Trump’s threat to impose secondary sanctions on companies and countries that do business with Iran. It’s also part of his Republican administration’s overall ramped-up campaign to cut off Iran’s key source of revenue — its oil exports.
Concurrently, the U.S. this month imposed a physical blockade on the Strait of Hormuzthe Persian Gulf waterway that is crucial to global energy supplies.
The sanctions, which cut off the companies from the U.S. financial system and penalize anyone who does business with them, come just a few weeks before President Donald Trump and China’s Xi Jinping are due to meet in China.
Included in Friday’s sanctions is Hengli Petrochemical’s facility in the port city of Dalian, which has a processing capacity of roughly 400,000 barrels of crude oil per day, making it one of the biggest independent refineries in China.
The Treasury Department says Hengli has received Iranian crude oil shipments since 2023 and has generated hundreds of millions of dollars in revenue for the Iranian military.
The advocacy group United Against Nuclear Iran said in February 2025 that Hengli is one of dozens of Chinese purchasers of Iranian oil.
China is the biggest buyer of Iranian oil, importing 80% to 90% of Iranian oil before the U.S.-Israeli war with Iran broke out, though the crude — transported by a shadow fleet of vessels — often has its origin obscured but arrives in China as oil from countries such as Malaysia. Smaller refineries, known as teapot refineries, typically are the buyers of Iranian oil.
Iran has previously said that its demands for ending the war include the lifting of sanctions.
Treasury Secretary Scott Bessent said Friday that his agency “will continue to constrict the network of vessels, intermediaries and buyers Iran relies on to move its oil to global markets.”
Earlier this month, Bessent’s department sent a letter to financial institutions in China, Hong Kong, the UAE and Oman threatening to levy secondary sanctions for doing business with Iran and accusing those countries of allowing Iranian illicit activities to flow through their financial institutions.
Bessent said during a White House press briefing on April 15 that the administration has told countries “that if you are buying Iranian oil, that if Iranian money is sitting in your banks, we are now willing to apply secondary sanctions, which is a very stern measure.”
The sanctions come as the global energy trade is in turmoil as war around the Persian Gulf chokes off oil and natural gas shipments, causing prices to soar.
Treasury has tried to quell the impact of rising oil prices issuing temporary sanctions waivers on Russia oil and a one-time waiver on Iranian oil already at sea.
The AP was making efforts to contact Chinese officials for comment on the sanctions.
China has disagreed with previous U.S. sanctions, but its major companies and banks still comply with U.S. sanctions because they are more exposed to the U.S.-dominated financial system.
After the U.S. earlier this month sanctioned a Chinese refinery accused of buying Iranian oil, Liu Pengyu, a spokesperson for China’s embassy in Washington, said the use of the sanctions “undermines international trade order and rules, disrupts normal economic and trade exchanges, and infringes upon the legitimate rights and interests of Chinese companies and individuals.”
The Dictatorship
DNC Chair says releasing full 2024 election autopsy would cause ‘navel-gazing’
Democratic National Committee Chair Ken Martin on Saturday defended his decision not to release a full autopsy of the party’s 2024 election losssaying it would “allow people to point fingers, place blame” instead of focusing on this year’s midterm elections.
Speaking to MS NOW’s “The Weekend,” Martin argued that “re-litigating” the 2024 presidential election would distract Democrats from their goal of winning the midterms in November and the 2028 presidential race.
He said Democrats are planning for what they expect to be an “unprecedented assault on our elections” from President Donald Trump, who has already signaled his intention to have federal officials “take over” the elections.
The party’s focus, Martin said, should be on protecting free and fair elections and defeating Republicans and Trump, rather than “engaging in a back and forth” over where it went wrong in 2024.

After then-Vice President Kamala Harris lost to Trump, the DNC ordered a review of where the party fell short. But 10 months later, Martin said the committee would not release the full 2024 autopsya decision that has prompted still-grieving Democrats — including potential 2028 candidates — to prescribe their own solutions to winning over voters.
Martin has repeatedly said that releasing the full report would distract Democrats from taking on Trump. But a growing number of DNC members, Democratic leaders and elected officials are urging him make those findings public, NBC News reported last week.
Martin said Saturday that he wants to keep the party’s focus on “the top lines” and that a 200-page report “allows people to sort of engage in navel-gazing.” He said it would not be helpful for people to harp on “what ifs” over the last election when “none of us have a time machine.”
“I’m not here to protect anyone, right? What I’m here to do is win elections,” he said, adding, “What we’re focusing on right now is the future, not the past.”
Clarissa-Jan Lim is a breaking news reporter for MS NOW. She was previously a senior reporter and editor at BuzzFeed News.
The Dictatorship
Trump is preparing White House Correspondents’ Dinner jokes — while the real comedians stay home
Breaking with decades of tradition, the White House Correspondents’ Association will not feature a comedian at its annual gala this Saturday night. Instead, “the world’s most celebrated mentalist,” Oz Pearlmanwill entertain the throngs of journos, politicos, corporate overlords and Beltway influencers at the Washington, D.C. Hilton.
Among those luminaries will be President Donald J. Trump who, in his capacity as president, has previously boycotted the event. This time around he’ll deliver an address. The president seems to be feeling confident about his performance, as evidenced by this social media post:
In honor of our Nation’s 250th Birthday, and the fact that these ‘Correspondents’ now admit that I am truly one of the Greatest Presidents in the History of our Country, the G.O.A.T., according to many, it will be my Honor to accept their invitation, and work to make it the GREATEST, HOTTEST, and MOST SPECTACULAR DINNER, OF ANY KIND, EVER!
According to his daughter-in-law Lara Trump, he’s even been working with joke writers to prepare for the occasion.
Last year the WHCA disinvited Amber Ruffin. Many felt the association was caving to pressure from MAGA world.
All of which raises three interrelated questions. First, as the New York Times wonderedwhat could possibly go wrong? Second, will Trump dump on the countless media figures in attendance whom he has already disparaged, threatened, and even sued? And third, why is it that Trump can crack jokes about everything from the pope to unloading sludge on No Kings protestors, but won’t stand for a little comedic ribbing himself?
As for the mentalist, maybe he’ll ask the WHCA’s members to think of a number — like the number of cowardly decisions they’ve made in Trump’s second term. The non-profit, which describes its mission as helping “to facilitate robust coverage of the presidency,” has already sacked a comedian; last year the WHCA disinvited Amber Ruffin. Many felt the association was caving to pressure from MAGA world.
Ruffin certainly thought so. In 2025, she claimed that her dismissal was due to “talking s—” about Trump. “I think it’s a good thing that I lost the gig,” she added, “because I was going to show up there and act all the way out.”
The same strategy of appeasement appears to be in play this year, which would account for the unusual choice of a mentalist as host. The press organization, presumably under pressure from the same White House it’s supposed to cover, has thus gone beyond merely cancelling a comedian — no, this feels like a move to cancel comedy itself at its signature event.

There are a number of important things that happen during the event, including bestowing awards and scholarships to members of the media. And I don’t mean to blow my nose in the First-Amendment-inscribed pocket handkerchiefs that some attendees plan to wear to protest the administration’s anti-free speech policies, but I will say this: If you remove comedy from the WHCA Dinner, that leaves the high-profile entertainment up to a lot of HR-non-compliant afterparties and a mushroom cloud of Trump’s Victory 45-47 cologne.
My point is that the country needs Ruffin’s “acting all the way out.” America needs comedians to poke the powerful right in their grimacing faces. A liberal democracy that permits that sort of subversion makes itself stronger.
Since 1983, the WHCA dinner has deputized assorted clowns to preside over this quirky but vital ritual (only in 1999, 2003 and 2019 did an entertainer other than a comedian perform at the event).
Most WHCA comic headliners have executed their patriotic duties with verve and venom. Liberal or left-leaning stand-ups have lit up Republicans. Stephen Colbert in 2006 reminded America that George W. Bush “stands for things,” but also, “on things like aircraft carriers and rubble, and recently flooded city squares.” In 2017, Hasan Minhaj joked he did “not see” (which he pronounced as “Nazi”) Steve Bannon. A year later, Michelle Wolf referred to an absent Trump as “the one p—- you’re not allowed to grab.”
Since 1983, the WHCA dinner has deputized assorted clowns to preside over this quirky but vital ritual.
But liberal or left-leaning comedians are comedians first. As such, they’ve rarely missed an opportunity to dunk on Democrats as well. In 2013, Conan O’Brien taunted Barack Obama that he only won the presidency because Mitt Romney was his opponent. In 2016, Larry Wilmore made everyone in the room extremely uncomfortable by directing a racial slur at the nation’s first Black commander in chief. Roy Wood Jr. in 2023 reflected upon how odd it was that 80-year-old Joe Biden was begging for four more years of work.
I can think of one way to rebut the charge that WHCA is canceling comedy: Invite a humorist with RedState street cred to entertain at next year’s “nerd prom.” The right-wing comedy sector is booming. Many conservatives are devoted fans of stand-up and they have no shortage of skilled humorists to follow. Instead of a manosphere-adjacent mentalist like Pearlman, the WHCA should have platformed a manosphere-adjacent stand-up like Shane Gillis, Tony HinchcliffeAdam Carolla or countless other seasoned acts that could have easily played the gig.
All of these more conservative comedians, I surmise, are also comedians first. Had the WHCA invited them, Trump and his crew would have invariably been rinsed and roasted, patriotically. No one would have claimed that “liberal bias” motivated the barbs — have you ever listened to Hinchcliffe? Had WHCA simply done that, a weird and sloppy democratic tradition would have persevered. Life would go on, as it always does.
So would Trump’s wars, deportations, voter suppression schemes, corruption, lies and so forth. But the jokes would linger like funny prayers to ironic gods, permitting us to at least collectively recognize how absurd our predicament has become.
Jacques Berlinerblau is a professor of Jewish civilization at Georgetown University.
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