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The Dictatorship

The best part of ‘Freakier Friday’ has almost nothing to do with the plot

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The best part of ‘Freakier Friday’ has almost nothing to do with the plot

Did you grow up with a family movie? That is, a movie you watched again and again as a child, the one choice that all of your siblings would readily agree on, and the one you can extensively quote even now. If you’re a millennial, you likely bought the VHS or accidentally absconded with it from the local video store.

There are very few qualifications for the family movie: some camp, a little emotional resonance, easy viewing, a nice message, and — this is imperative — absolutely no sex scenes. I grew up with a few. While sharing all of our Holland family movies feels like leaking a state secret, I’ll give you one title: seminal early 2000s box-office success “Freaky Friday,” starring Lindsay Lohan and Jamie Lee Curtis.

Frankly, whether “Freakier Friday” is any good by a movie critic’s yardstick is entirely irrelevant.

On Friday, the much-anticipated sequel to “Freaky Friday,” called “Freakier Friday,” debuts in theaters across the country. (And yes, it is much anticipated by me, my siblings and my millennial cohort.) Lohan’s comedic timing, her magnetic chemistry with Curtis and the fact that everyone from the original cast has returned have all garnered buzz.

But frankly, whether “Freakier Friday” is any good by a movie critic’s yardstick is entirely irrelevant. Those who are going to buy a ticket or stream the film are most likely doing so purely based on the power of nostalgic reverence. And that is OK.

For those somehow unfamiliar, the 2003 “Freaky Friday” centers on successful single mother and therapist Tess Coleman, played by Curtis, and her rebellious rock-‘n’-roll-aspiring teenage daughter Anna, played by Lohan. From band practice to Tess’ new fiancé, the two are not understanding one another. After they receive mysterious fortune cookies from a Chinese food restaurant, Anna and Tess wake up the next day to discover they have switched bodies. Then comes an iconic shopping montage, Chad Michael Murray’s Ducati and a vengeful English teacher.

“Freakier Friday” picks up more than two decades later. Anna, alongside very involved Grandmother Tess, is squaring off with an angry teen daughter of her own named Harper. When Anna falls in love with the father of Harper’s nemesis at school, named Lily, it is now three generations that are not seeing eye to eye. This time it is a palm reader that initiates the body swap. And the rest, as they say, is history.

While both movies explore the intergenerational push-pull between parent and child and the emotionally complex realities of family, the message behind the body-swapping hijinks is one of empathy. These movies are heartwarming interpretations of the “walk a mile in their shoes” adage.

It’s very easy to condemn Hollywood’s recent preoccupation with remakes, full franchise reboots and sequels. Relying upon viewer loyalty or, at the very least, brand recognition is a risk-averse and, frankly, lazy way to get a movie made. It also makes an already competitive and shrinking industry even smaller for up-and-coming filmmakers with original ideas. Sometimes, it is ineffectual. Increasingly, the reboot or the sequel fails to carry its audience for another year and another movie and another similar plot. There is fatigue and there is frustration.

Then there is the nostalgia component. Even outside of the silver screen, nostalgia has permeated so much of 2025 culture. It is easy to understand why: We’re wrestling with a deeply fractured American identity, plagued by the remnants of cancel culture and a seemingly universal anxiety. Gen Z is vocal in their longing for the perceived simplicity, stability and comfort of the early 2000s that they never experienced. Millennials, battered by the remnants of hustle cultureembrace nostalgic media as an escape and as a comfort.

“Freakier Friday,” I would argue, exists in the gray because the franchise was rooted in nostalgia from the start. My beloved 2003 “Freaky Friday” is, in fact, the fifth movie adaptation of a 1972 novel of the same name written by Mary Rodgers. The first was a 1976 Golden Globe-nominated version starring Jodie Foster and Barbara Harris. In this way, the “Freaky Friday” franchise does not just exist in early 2000s internet-rooted nostalgia — rather, it’s something shared between five decades and multiple generations.

Moving my own childhood connection to the franchise aside, there is a palpable difference between a sequel that is conceived out of love and appreciation for a loyal audience and one that is a cheap cash grab. I am not so naïvely suggesting that “Freakier Friday” was, you know, made for charity, but what I am pointing to is its deft understanding of why viewers loved the first one so much. This sequel honors the original cast — the humor, the tone and the storyline — while still managing to feel fresh and relevant. In this way, “Freakier Friday” feels like genuine continuation, not exploitation.

“Freakier Friday” may not be pushing cinematic boundaries or mending our broken retrospective culture. But I know this much: It makes for a really great family movie.

Hannah Holland

Hannah Holland is a producer for BLN’s “Velshi” and editor for the “Velshi Banned Book Club.” She writes for BLN Daily.

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The Dictatorship

Judge blocks Trump order to end funding for NPR and PBS

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Judge blocks Trump order to end funding for NPR and PBS

WASHINGTON (AP) — Citing the First Amendment, a federal judge on Tuesday agreed to permanently block the Trump administration from implementing a presidential directive to end federal funding for National Public Radio and the Public Broadcasting Service, two media entities that the White House has said are counterproductive to American priorities.

The operational impact of U.S. District Judge Randolph Moss’ decision was not immediately clear — both because it will likely be appealed and because too much damage to the public-broadcasting system has already been done, both by the president and Congress.

Moss ruled that President Donald Trump’s executive order to cease funding for NPR and PBS is unlawful and unenforceable. The judge said the First Amendment right to free speech “does not tolerate viewpoint discrimination and retaliation of this type.”

“It is difficult to conceive of clearer evidence that a government action is targeted at viewpoints that the President does not like and seeks to squelch,” wrote Moss, who was nominated to the bench by President Barack Obama, a Democrat.

White House spokesperson Abigail Jackson said Moss’ decision is “a ridiculous ruling by an activist judge attempting to undermine the law.”

“NPR and PBS have no right to receive taxpayer funds, and Congress already voted to defund them. The Trump Administration looks forward to ultimate victory on the issue,” Jackson said in a statement.

PBS, with programming ranging from “Sesame Street” and “Mister Rogers’ Neighborhood” to Ken Burns’ documentaries, has been operating for more than half a century. NPR has news programming from “All Things Considered” and cultural shows like the “Tiny Desk” concerts. For decades, the fates of both systems have been part of a philosophical debate over whether government should help fund their operations.

Punishment for ‘past speech’ cited in decision

The judge noted that Trump’s executive order simply directs that all federal agencies “cut off any and all funding” to NPR, which is based in Washington, and PBS, based in Arlington, Virginia.

“The Federal Defendants fail to cite a single case in which a court has ever upheld a statute or executive action that bars a particular person or entity from participating in any federally funded activity based on that person or entity’s past speech,” the judge wrote.

Last year, Trump, a Republican, said at a news conference he would “love to” defund NPR and PBS because he believes they’re biased in favor of Democrats.

“The message is clear: NPR and PBS need not apply for any federal benefit because the President disapproves of their ‘left wing’ coverage of the news,” Moss wrote.

NPR accused the Corporation for Public Broadcasting of violating its First Amendment free speech rights when it moved to cut off its access to grant money appropriated by Congress. NPR also claims Trump wants to punish it for the content of its journalism.

“Public media exists to serve the public interest — that of Americans — not that of any political agenda or elected official,” said Katherine Maher, NPR’s president and CEO. She called the decision a decisive affirmation of the rights of a free and independent press.

PBS chief Paula Kerger said she was thrilled with the decision. The executive order, she said, is “textbook” unconstitutional viewpoint discrimination and retaliation. “At PBS, we will continue to do what we’ve always done: serve our mission to educate and inspire all Americans as the nation’s most trusted media institution.”

Last August, CPB announced it would take steps toward closing itself down after being defunded by Congress.

A victory, though incremental, for press freedom

Plaintiffs’ attorney Theodore Boutrous said Tuesday’s ruling is “a victory for the First Amendment and for freedom of the press.”

“As the Court expressly recognized, the First Amendment draws a line, which the government may not cross, at efforts to use government power — including the power of the purse — ‘to punish or suppress disfavored expression’ by others,” Boutrous said in a statement. “The Executive Order crossed that line.”

The judge agreed with government attorneys that some of the news outlets’ legal claims are moot, partly because the CPB no longer exists.

“But that does not end the matter because the Executive Order sweeps beyond the CPB,” Moss added. “It also directs that all federal agencies refrain from funding NPR and PBS — regardless of the nature of the program or the merits of their applications or requests for funding.”

NPR and three public radio stations sued administration officials last May. While Trump was named as a defendant, the case did not include Congress — and the legislative body has played a large role in the public-broadcasting saga in the past year.

Trump’s executive order immediately cut millions of dollars in funding from the Education Department to PBS for its children’s programming, forcing the system to lay off one-third of the PBS Kids staff. The Trump order didn’t impact Congress’ vote to eliminate the overall federal appropriations for PBS and NPR, which forced the closure of the Corporation for Public Broadcasting, the entity that funneled that money to the TV and radio networks.

___

AP Media Writer David Bauder and AP writer Darlene Superville contributed to this report.

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The Dictatorship

‘I don’t care about that’: Trump moves the goal posts on Iran’s uranium stockpile

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‘I don’t care about that’: Trump moves the goal posts on Iran’s uranium stockpile

More than a month into the war in Iran, there’s still great uncertainty about why the United States launched this military offensive in the first place. There’s reason to believe, however, that the conflict has something to do with Iran’s nuclear program.

At an unrelated White House event on Tuesday, for example, Donald Trump said“I had one goal: They will have no nuclear weapon, and that goal has been attained.”

It was a curious comment, in part because by the president’s own assessmentIran didn’t have a nuclear weapon before he decided to launch the war, and in part because Secretary of State Marco Rubio this week presented the administration’s four major objectives in the conflict, none of which had anything to do with Iran’s nuclear program.

As for whether Trump’s newly manufactured “goal” has actually been “attained,” The New York Times reported“Unless something changes over the next two weeks — the target Mr. Trump set to begin withdrawing from the conflict — he will have left the Iranians with 970 pounds of highly enriched uranium, enough for 10 to a dozen bombs. The country will retain control over an even larger inventory of medium-enriched uranium that, with further enrichment, could be turned into bomb fuel, if the Iranians can rebuild that capacity after a month of steady bombing.”

The American president has acknowledged that these details are true, though he apparently no longer cares. Ahead of an Oval Office address to the nation about the war in Iran, the Republican spoke to Reuters about his perspective:

Of the enriched uranium, Trump said: ‘That’s so far ⁠underground, I ​don’t care about that.’

‘We’ll always be watching it by satellite,’ he added. He said Iran was ‘incapable’ of developing a weapon ​now.

The president’s comments definitely have a practical element: It’s been an open question for weeks as to whether Trump intends to try to seize Iran’s uranium stockpile, which would require ground troops and be profoundly dangerous for U.S. military service members.

If Trump told Reuters the truth and is prepared to let Iran keep the uranium it already has because he no longer “cares about that,” it would drastically reduce the likelihood of a ground invasion — one that would almost certainly cost lives.

But there’s another element to this worth keeping in mind as the process moves forward: Ever since the Obama administration struck the original nuclear agreement with Iran in 2015, Trump has insisted that it was wrong to allow the country to hold onto nuclear materials that might someday be used in a nuclear weapon.

A decade later, he’s suddenly indifferent to Iran’s uranium stockpile — which has only grown larger since Trump abandoned the Obama-era policy.

Trump’s goalposts, in other words, are on the move.

Indeed, if the American president’s comments reflect his true perspective (and with this guy, one never really knows), we’re due for a serious public conversation about the motives and objectives for the war. Because as things stand, before the war, Iran had a regime run by radical religious clerics and the Islamic Revolutionary Guard; the country had a significant uranium stockpile; and the Strait of Hormuz was open.

And now, Trump’s apparent vision for a successful offensive will include Iran with a regime run by radical religious clerics and the Islamic Revolutionary Guard; the country still holding a significant uranium stockpile; and the Strait of Hormuz will be open.

Mission accomplished, I guess?

Steve Benen is a producer for “The Rachel Maddow Show,” the editor of MaddowBlog and an MS NOW political contributor. He’s also the bestselling author of “Ministry of Truth: Democracy, Reality, and the Republicans’ War on the Recent Past.”

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The Dictatorship

Mike Johnson caves to the Senate, paving the way for likely DHS shutdown deal

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Just days after labeling the Senate deal to end the record-breaking shutdown at the Department of Homeland Security a “crap sandwich,” Speaker Mike Johnson, R-La., now appears ready to swallow it whole.

Johnson and Senate Majority Leader John Thune, R-S.D., announced Wednesday they will move forward with the two-track approach senators unanimously backed last Friday. They will pass a bill to fund most of DHS — with the exception of Immigration and Customs Enforcement and parts of Customs and Border Patrol — and then look to approve money for ICE and CBP in a separate reconciliation package.

“In following this two-track approach, the Republican Congress will fully reopen the Department, make sure all federal workers are paid, and specifically fund immigration enforcement and border security for the next three years so that those law-enforcement activities can continue uninhibited,” Johnson and Thune said in a joint statement.

The announcement amounts to a stunning reversal for Johnson, who was facing pressure from conservatives to oppose the Senate deal. Their objections centered on the lack of money for ICE, as well as the Senate’s failure to include new voter ID restrictions, championed by President Donald Trump, with the so-called SAVE America Act.

Instead, Johnson on Friday forced a House vote on an alternative measure to fund all of DHS for eight weeks. While it passed almost entirely along party linesthe stopgap measure stood no chance in the Senate, where Democrats have repeatedly rejected a similar proposal in recent weeks.

Lawmakers were back to square one.

But it turns out, all they needed was a little push from Trump.

Less than three hours before Johnson and Thune’s announcement, Trump urged Republicans — in a lengthy statement on Truth Social — to pass funding for ICE and border patrol through budget reconciliation. While that approach allows GOP lawmakers to bypass Democratic opposition, it requires near-unanimous GOP support.

Trump said he wants the legislation on his desk by June 1 — an ambitious timeline that dramatically increased pressure on Republicans.

“We are going to work as fast, and as focused, as possible to replenish funding for our Border and ICE Agents, and the Radical Left Democrats won’t be able to stop us,” Trump wrote on Truth Social. “We will not allow them to hurt the families of these Great Patriots by defunding them. I am asking that the Bill be on my desk NO LATER than June 1st.”

With Johnson suddenly on board, lawmakers appear poised to end the DHS shutdown just as soon as the House can reconvene. It’s unclear exactly when that might happen. The House isn’t due back until April 14. But Johnson could always call lawmakers back sooner — or look to pass the Senate bill while both chambers are out on recess through a special process.

Because the House never technically sent its 60-day continuing resolution to the Senate, the House could just recede from its amendment of the Senate-passed bill and immediately send the legislation to the president.

Either way, barring another sudden shift from Trump or House leadership, the longest government shutdown in U.S. history may soon be over — and Democrats are already taking a victory lap.

“Throughout this fight, Senate Democrats never wavered,” Senate Minority Leader Chuck Schumer said in a statement. “We were clear from the start: fund critical security, protect Americans, and no blank check for reckless ICE and Border Patrol enforcement.”

“We were united, held the line, and refused to let Republican chaos win,” Schumer added.

Kevin Frey is a congressional reporter for MS NOW.

Mychael Schnell is a reporter for MS NOW.

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