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The Dictatorship

Why ‘Too Much’ is one of the best shows on Netflix right now

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Why ‘Too Much’ is one of the best shows on Netflix right now

Whether beaten down by the stress of the newsroom or spoiled by the truly great television of decades past, I rarely laugh out loud at TV shows any more. It is rarer still that I cry and I laugh at the same show. But this past week, I did both. Lena Dunham, the woman behind what I would call a generation-defining classic, got me good. “Too Much,” Dunham’s new Netflix series, doesn’t feel so much like “Girls” for the next generation, but instead like a series all too necessary for this specific moment.

I rarely laugh out loud at TV shows any more. It is rarer still that I cry and I laugh at the same show.

“Too Much” follows Jess, played by the amazing Megan Stalter, as she moves to London from New York City after a devastating breakup. In London she falls in complicated love with the disarming Indie rocker Felix. Unsurprisingly, Dunham packs a lot of great writing and emotional depth into this 10-episode arc. “Too Much” is a study in duality; both funny and sad, cute and serious, surreal and grounded. While fans of “Girls” will likely spot some references and some familiar faces — the similarities between Stalter and Dunham feel most obvious, and most important.

Driven by a trendy nostalgia for the so-called simplicity of the early-2000s, “Girls” has experienced a recent renaissance. Short clips of the show perpetually circulate on TikTok and the “Girls Rewatch” podcastfamous now for its introductory question, “Girl, what ‘girl’ are you?”, regularly goes viral. Dunham even recently joined the podcast while on her “Too Much” press tour.

But Dunham’s stardom is complicated, and it has been ever since “Girls” debuted in 2012. The success of the show coincided with the proliferation of not just social media, but of instantaneous social media commentary. As Dunham said on the “Girls Rewatch” podcast, “I was always partially tuned into what people were saying. […] It was impossible to ignore — and I knew that people would tell me what it meant to them, but I also knew that there were people that were angry.”

Dunham’s body and willingness to appear nude on “Girls” made people angry, certainly, and she became the subject of years of often unfair and unflattering cultural commentary. Since then, we have seen the rise and the fall of yet another iteration of the body positivity movement. Skinny, ever the patriarchal beauty standard, is always at a societal premium. But for a moment, it seemed like there was an earnest attempt at body inclusion. There was an acknowledgement that skinny was not a moral imperative nor a corollary to health.

But the meteoric rise of weight loss drugs like Ozempic and the shrinking of many formerly plus-size Hollywood stars has rapidly shifted the landscape once again. On social media, certainly, thin is back. Fashion designed with just skinny bodies in mind, like low-rise denim, is back in vogue.

Lena Dunham, though, has never altered her stance or herself. She has become bolder since her days on “Girls.” She takes up more space. She cares less about what anyone thinks or says about her. And whether or not you like her art, you have to admire that attitude in an industry where she has become an increasingly rare outlier. I certainly do.

Lena Dunham, though, has never altered her stance or herself. She has become bolder since her days on “Girls.”

Jess, like Dunham, does not fit standard beauty molds. And, crucially, she is not written just to be liked. She is quirky, negative, histrionic and obsessive. Centering her in a buzzy Netflix project like this feels, if not radical, refreshing. It’s very different from, for example, last year’s much talked about hit “Nobody Wants This,” starring Kristen Bell and Adam Brody.

But Dunham has a warning for anyone who wants to treat Stalter with the same vitriol she experienced, “If anybody has anything to say about any of my actors — I keep my mouth shut on most things these days, but try a b—. I’m not playing around here. It’s the only time that I’m going to be taking my hoops out, ready to fight.”

Ultimately I don’t think “Too Much” is going to dethrone “Girls” as Dunham’s most culturally impactful series. That isn’t the point, though. Women today don’t need “Girls,” they need “Too Much.” Leave it to Dunham to recognize that need, and deliver.

Hannah Holland

Hannah Holland is a producer for BLN’s “Velshi” and editor for the “Velshi Banned Book Club.” She writes for BLN Daily.

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The Dictatorship

Iran moves to take permanent control of Strait of Hormuz, a vital shipping choke point

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Iran announced on Thursday that it was drafting a “protocol” that would allow it to “monitor transit” by oil tankers through the Strait of Hormuzthe strategic waterway Tehran has shut downsending oil and gas prices soaring in the U.S. and across the world.

Kazem Gharibabadi, Iran’s deputy foreign minister for legal and international affairs, said tanker traffic through the narrow route “should be supervised and coordinated” between Iran and Oman, the two countries that border the strait, according to a translation of a report from Iran’s state news agency cited by CNBC.

“Of course, these requirements will not mean restrictions, but rather to facilitate and ensure safe passage and provide better services to ships that pass through this route,” Gharibabadi said according to the report.

President Donald Trump has suggested that the U.S. may leave it to other countries to end Iran’s de facto blockade of the strait, which it enforces by firing missiles at tankers. Trump has called on European nations to do so, but experts say Europe lacks the military resources to halt Iranian attacks on tankers for the long term.

Iranian and Omani officials did not respond to requests for comment from MS NOW.

For decades, the strait has been an international waterway, controlled by no country, that ships from all nations could transit.

Gregory Brew, a senior Iran and oil analyst at the Eurasia Group, said that if Iran manages to take control of the Strait of Hormuz permanently, it would be a “colossal win” for the country.

“It’s a massive strategic win, given that Iran has demonstrated that it can close the strait,” Brew told MS NOW. “It’s a huge financial win.”

Brew added that if Iran gains long-term control of the straitit would be more powerful than it was before the Trump administration attacked it. Iran’s parliament passed a law to begin charging “tolls” of up to $2 million per ship, which could mean as much as $100 billion in annual revenue — or the equivalent of Iran’s current annual oil export earnings.

“It’s not innocuous,” Brew said, referring to the protocol announced on Thursday. “Iran has passed legislation and is now claiming to be coordinating with Oman in establishing joint management of the Strait of Hormuz.”

Brew predicted that Oman, which has less oil and wealth than other Gulf nations, may be willing to accept a temporary arrangement that could help end the conflict.

“The Omanis are probably hedging; they’ve always tried to manage their relationship with Iran, and they lose relatively little by cooperating with Iran right now to ease pressure on the strait,” Brew said. “The bigger question is whether they continue to cooperate after the war.”

Ted Singer, a former senior CIA official who oversaw the agency’s operations in the Middle East, said Iranian officials are likely trying to see what they can achieve.

“I wouldn’t see this as a fork in the road,” Singer told MS NOW.

Singer, who served as a CIA station chief in five different countries over a 35-year career, said Iranian officials could be trying to stoke division between gulf countries.

“The Iranians are good at doing more than one thing at a time,” he said. “Why not stake out a maximalist position on tolls, then toss out options to roil the waters?”

The United Arab Emirates, for example, is adamantly opposed to Iran taking control of the strait.

“The Iranians play multi-dimensional chess,” said Singer, now a senior adviser to the Chertoff Group, a security consulting firm run by Michael Chertoff, who served as secretary of Homeland Security in the George W. Bush administration.

“Try to create division between Oman and the rest of the Gulf countries,” Singer said. “Why not fiddle around with this and see if something sticks?”

David Rohde headshot

David Rohde

David Rohde is the senior national security reporter for MS NOW. Previously he was the senior executive editor for national security and law for NBC News.

Ian Sherwood is the director of international newsgathering for MS NOW, a former executive editor for NBC News and a former deputy Washington bureau chief for the BBC.

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The Dictatorship

Thursday’s Mini-Report, 4.2.26

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Thursday’s Mini-Report, 4.2.26

Today’s edition of quick hits.

* Targeting Iranian infrastructure: “President Trump celebrated the destruction of a bridge near Tehran on Thursday, warning on social media that there was ‘much more to follow.’ The attack on the B1 bridge between Tehran and the nearby city of Karaj killed eight people and wounded 95, according to Fars, a semiofficial Iranian news agency.”

* I don’t think the speech worked: “The price of oil rose sharply and stocks wavered on Thursday after President Trump, in an address from the White House the day before, said the war against Iran was ‘nearing completion’ but failed to offer a concrete timeline and committed to more attacks. In the 19-minute address, Mr. Trump said U.S. forces would hit Iran ‘extremely hard over the next two to three weeks.’”

* Reversing one of Noem’s worst ideas: “Homeland Security Secretary Markwayne Mullin on Wednesday rescinded a rule that DHS expenditures over $100,000 be personally approved by his office, ending a widely criticized policy implemented by his predecessor Kristi Noem that critics said put a particular burden on the Federal Emergency Management Agency ’s work aiding disaster response and recovery.”

* The latest on the ballroom: “Donald Trump’s handpicked National Capital Planning Commission voted Thursday to authorize the president’s plan to erect a gilded 90,000-square-foot White House ballroom in place of the historic East Wing, which was destroyed last fall to make way for the ballroom.”

* Remember when Congress, by constitutional mandate, had the power of the purse? “President Donald Trump said Thursday he will soon sign an order to pay all Department of Homeland Security employees who have gone without paychecks during the record-long partial government shutdown that has reached 48 days.”

* A year after “Liberation Day,” there’s fresh tariff news: “President Donald Trump announced Thursday he will levy tariffs as high as 100 percent on some name-brand pharmaceuticals and is adjusting tariffs on products that contain steel and aluminum, the administration’s first move to expand duties since the Supreme Court dealt his trade agenda a blow in February.”

* The latest from Artemis II: “NASA’s latest update about the Artemis II moon mission shows a breathtaking view of Earth as the Orion capsule with four astronauts on board orbits tens of thousands of miles above. Hitching a ride beyond Earth’s atmosphere atop NASA’s powerful Space Launch System rocket, the three Americans and one Canadian selected for the mission are preparing to begin heading toward the moon.”

See you tomorrow.

Steve Benen is a producer for “The Rachel Maddow Show,” the editor of MaddowBlog and an MS NOW political contributor. He’s also the bestselling author of “Ministry of Truth: Democracy, Reality, and the Republicans’ War on the Recent Past.”

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The Dictatorship

Judge weighs legality of Trump’s planned arch near Arlington National Cemetery

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Judge weighs legality of Trump’s planned arch near Arlington National Cemetery

A federal judge is weighing whether the Trump administration can legally build a 250-foot arch just across the Potomac River from the Vietnam and Lincoln memorials, as three veterans who fought in Vietnam have argued the project would violate federal law and permanently alter one of the country’s most sacred landscapes.

Judge Tanya Chutkan declined on Thursday to issue a preliminary injunction, instead asking the parties to report by 5 p.m. on Friday whether they can agree to halt groundbreaking while the case proceeds. If no agreement is reached, she will ask the executive branch to provide supplemental sworn declarations disclosing any awards, grants, contracts, permits or other relevant information related to the arch’s construction.

The suit was brought by three Vietnam War veterans and an architectural historian, who argued the project would obstruct views of the Vietnam War and Lincoln memorials from Arlington National Cemetery. The plaintiffs contended the planned arch would violate federal laws governing historic sites and monuments, and the White House cannot lawfully proceed without congressional authorization.

The plaintiffs cited Trump’s various Truth Social posts and public statements to support their claim that construction is underway, pointing to design specifications, a target completion date of July 4 and renderings backed by a White House fact sheet. They also argued the National Park Service must sign off on any use of the land before construction begins.

President Donald Trump told reporters in January that his proposed arch “will be the most beautiful in the world,” and is already “being built.” He also shared renderings of the arch on his Truth Social account.

The government’s attorney, Bradley Craigmyle, argued that Trump’s media and social media statements constitute hearsay. Chutkan pushed back sharply, saying Trump’s posts are admissible as statements by a party. Throughout the hearing, Craigmyle argued the project is in the conceptual phase despite the president’s statements.

Today’s hearing comes as the National Capital Planning Commission voted 9-1, with two abstentions, to approve construction for Trump’s 90,000-square foot ballroom at the White House, clearing the final procedural hurdle for the project. Chutkan referenced the ballroom case during the hearing, saying, “If we haven’t had the whole White House ballroom situation, this might be a little more academic than it is now.”

Selena Kuznikov contributed to this article.

Peggy Helman is a desk associate at MS NOW.

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