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The Dictatorship

‘Sinners’ gives the Mississippi Delta’s hoodoo culture the reverence it deserves

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‘Sinners’ gives the Mississippi Delta’s hoodoo culture the reverence it deserves

Sinnersis a hoodoo movie, deeply and unapologetically so. In making the film set in the 1930s Mississippi Delta, director Ryan Coogler and producer Zinzi Evans were intentional about displaying the real culture of this region I call home, and they leaned on scholars such as Yvonne Chireau to explore conjure as a sophisticated spiritual technology. For instance, we see the hoodoo in the sacred symmetry of twins Smoke and Stack, brilliantly played by Michael B. Jordan. Smoke and Stack mirror the Marassa, those divine twins in the Haitian Vodou and West African Yoruba Ife tradition who navigate the world as a singular, divided soul. They move with a grace older than the roads they travel, their every choice colored by myths finally given flesh, blood and consequence.

Here in the Black South, the speculative is more than a genre. To make a film that speaks of conjure or haints is to engage in a deep cultural reclamation.

This grounding brings a visceral magic to the screen. “Sinners,” for good reason, was nominated for a record-breaking 16 Oscars, including for best picture. (The film picked up four wins on Sunday night, including best actor honors for Michael B. Jordan, best original screenplay for Coogler and a historic win in cinematography for Autumn Durald Arkapaw. But it lost in several of the other major categories to “One Battle After Another,” which took home best director and best picture.)

Here in the Black South, the speculative is more than a genre. It is an inherited truth. To make a film that speaks of conjure or hintsas Coogler did, is to engage in a deep cultural reclamation. When “Sinners” embraces this, we see the ancient future in action: the understanding that ancestral knowledge is the key to navigating worlds yet to come. Coogler, who grew up in California,  wrote “Sinners” to honor his Mississippi ancestors, including his uncle James, who loved the Delta blues and regaled the young Coogler with stories about his home. Coogler’s vision trusts the ancestors enough to let the spirits walk alongside the living, just as they always have in our free verse and folktales.

There is a persistent, hollow noise in our cultural discourse that dismisses Black American culture as a happy accident rather than what it is: a deliberate, brilliant construction. Our traditions are too often discussed as found items rather than legacies forged in unique crucibles. Our culture was born from blood and bone, and it has produced high art forms crafted by those who turned survival into a song. Nothing about Black Americans’ spiritual and cultural traditions are accidental, no matter our geography.

But place matters. Regional specificity is the antidote to the monolith myth that wrongly renders the Black culture in the Delta and the Gullah-Geechee Sea Islands and Appalachia as one and the same. Coogler captures the authenticity of the Delta with his details, like the tamale sign in the backdrop, a quiet nod to the intersecting bloodlines — Indigenous, African and European — that created the creative genius of the Delta. Whether it’s the Chows, whose presence is an acknowledgement that Chinese families have long been embedded in the community fabric of the Deltaor the compacts made by the Choctaw leader Chayton (Nathaniel Arcand), our history is itself a crossroads. When we see sibling relationships and rituals treated with reverence, we see Coogler’s refusal to whitewash our origins.

Perhaps most significantly, Coogler’s screenplay dramatizes the 1930 Delta’s spiritual landscapes with an elegant precision, refusing the easy binary of “demonic” vs. “devout.” We see it in the bitter resentment of the Irish vampire, Remmick — portrayed with frightening intensity by Jack O’Connell — who carries the scars of a native faith forcibly stripped away. He’s a contrast to Sammie Moore, played by Miles Caton, who emerges from the sanctuary of a praying family. This foundation of faith grants him the agency to choose his own vocation, proving the film is a meditation on the varied ways we reach for the divine to stay strong.

Nothing about Black Americans’ spiritual and cultural traditions are accidental, no matter our geography.

I think of the Mississippi Delta as a living, breathing archive, a landscape where the river’s curve mimics the spine of a people who refused to be broken. In the quiet theater of our lives, we often look for mirrors, but what we truly need are portals.

One of the film’s most breathtaking movements — the jook joint musical sequence — becomes such  a portal. As the ancestors pulse alongside the living to the notes of Raphael SadiqBoo Mitchell and Rhiannon Giddensit proves the difference between a ghost and a memory: one haunts the house, the other haunts the blood.

Black American cultural contributions are among the nation’s most significant exports, but the fruit is too often severed from its roots, and we see our rituals absorbed into the mainstream without a nod to the specific communities who nurtured them. We must demand visions such as Coogler’s that understand that the spirit remembers what the map forgets.

American cinema needs more of this raw truth — stories that pulse in the blood and set spirits free. We don’t need endless remakes. We need the conjure, the haints and the original hope that comes from knowing exactly who we are. Coogler believes in the alchemy of cinema and sound, and in “Sinners,” he bottled that lightning, letting the frequency of the Delta resonate through the theater and into our hearts.

By the time the lights come up, we carry the weight of that geography. Even when the world tries to wash the records away, the river remembers. Our stories are a laying on of hands, a calling up of a frequency that resonates in the marrow. They remind us that some magic is real, rooted deep in the soil and carried on the music, waiting for the right hands to call it forth. Vision made manifest is not just about what we see on a screen; it is about the stories we have always told ourselves to stay whole.

Sheree Renée Thomas is an award-winning author, poet and editor whose work is inspired by myth and folklore, natural science and the genius of the Mississippi Delta. Her most recent book is “Mojorhythm”(Third Man Books, 2025). An Octavia E. Butler Award winner, she edited the World Fantasy Award-winning anthologies,”Dark Matter: A Century of Speculative Fiction from the Africa Diaspora,””Dark Matter: Reading the Bones,” and”Africa Risen: A New Era of Speculative Fiction.”

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The Dictatorship

Trump’s proposed cuts to NASA are an insult to astronauts like the Artemis crew

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Friday’s splashdown of the Artemis II crew, the first to travel to the moon since the Apollo program ended in 1972, is a moment of celebration for all of us on Earth.

But it’s also an important reminder that, despite this success, the current administration’s Office of Management and Budget is proposing budget cuts that will all but dismantle much of NASA. It’s surprising, illogical and very troubling.

The proposed cuts would terminate 53 NASA Science missions, throwing away more than $13 billion in taxpayer investment.

The proposed cuts would terminate 53 NASA Science missions, throwing away more than $13 billion in taxpayer investment and halting the development of nearly every future NASA Science mission.

These cuts would be an insult to our astronauts and entire NASA workforce. Astronauts and their colleagues are civil servants who work hard, accomplish nearly impossible things and represent our country to the world.

It’s an odd choice from an administration that has pledged to put America first, to be sure. But stranger still, and quite personal to me, is the OMB’s proposal to completely end NASA’s STEM (Science, Technology, Engineering, and Math) outreach program, which supports students and teachers nationwide. Programs like this have helped the United States be a world leader in science and technology.

We cannot allow this.

The U.S. has many great institutions, but NASA is a unique part of the American story. NASA is the best brand our nation has. When people around the world think of the U.S. at its best, they think of astronauts exploring the moon, telescopes opening new windows on the cosmos and spacecraft making profound discoveries on other worlds. NASA is who we are when we’re curious, bold and united.

There is also a growing consensus in Washington that we are in a new space race, this time, with the China National Space Administration, which, by the way, is planning to have taikonauts walk on the Moon in 2030. If the race is on, why abandon so much? Why cede the lead? The U.S. cannot be first in space if it is second in science and technology.

The administration proposed almost the same draconian cuts to NASA last year. When it did, we the people fought back. The Planetary Society, along with more than 300 advocates and 19 other partner organizations, went to Washington and organized the largest grassroots advocacy outreach for space science in history. Tens of thousands of citizens from every state and congressional district wrote, called and made their case to their elected officials. Together, we successfully saved NASA.

Now, this year, we have no choice but to fight back. On April 20, we will return to Washington, where people can join in person or join our Save NASA Science campaign online.

Science is not a luxury. It is a responsibility. Our founders knew it; you will find “Science” cited in Article 1, Section 8 of the Constitution. Only a public space agency can sustain decades-long investments in the kind of science that tells us whether life ever existed on Mars, that tracks the asteroids that could threaten every living thing on Earth and that reveals the story of our origin.

NASA’s science program is a bargain for Americans. It accounted for one-tenth of 1% of the nation’s expenditures last year, a tenth of a penny of every tax dollar.

Cutting science would not just delay discovery; it would destroy it. It would shatter our STEM talent pipeline. It would abandon our international partners. And, it would cede U.S. leadership in space science to China and other nations.

NASA’s science program is a bargain for Americans. It accounted for one-tenth of 1% of the nation’s expenditures last year, a tenth of a penny of every tax dollar. And for every dollar spent, three come back into the economy. Every year, NASA generates $75 billion of economic growth and supports over 300,000 jobs in all 50 states.

Members of Congress and the Senate agree: NASA is a remarkable investment. I’ve met with both Republicans and Democrats, all of whom support space science. And last year, an overwhelming bipartisan majority rejected these same cuts.

NASA is what makes America great. It represents our best values: curiosity, determination, tenacity, and global cooperation. It proves that we are capable of extraordinary things. When we invest in scientific exploration, we invest in ourselves — in our economy, security and future.

If we concede and retreat from the frontier of space after a half century of leadership, it would be an unworthy choice. If Artemis II has showed us anything, it’s that the public, across the political spectrum, strongly supports space exploration, scientific discovery and a deeper understanding of the universe and our place within it.

Bill Nye is the chief ambassador at The Planetary Society, the world’s largest space interest organization.

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Artemis II mission splashes down, returning to Earth

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Artemis II mission splashes down, returning to Earth

After making history as the farthest journey into space humans have ever made, NASA’s Artemis II mission returned to Earth on Friday, splashing down off the coast southwest of San Diego.

The Artemis II crew splashed down successfully at 5:07:47 p.m. PT. The Orion spacecraft launched last weekfrom the Kennedy Space Center in Florida, the first crewed flight to the moon in more than 50 years. The entire mission from liftoff took a total of nine days, one hour, 31 minutes and 35 seconds, which NASA rounds up, to call it a 10-day mission.

In the buildup to the mission, questions about the craft’s heat shield led to concerns among some experts about whether Orion would hold up on reentry to the Earth’s atmosphere, the most perilous part of any crewed mission. A NASA-commissioned panel ultimately deemed the ship safewith the astronauts themselves endorsing it ahead of time.

The four-member crew — NASA astronauts Reid Wiseman, Victor Glover and Christina Koch, along with Canadian Space Agency astronaut Jeremy Hansen — embarked on the 10-day mission to fly around the moon, setting the stage for future missions aimed at establishing a permanent lunar base.

After splashdown, NASA administrator Jared Isaacman praised the crew, calling them “wonderful communicators, almost poets,” during an interview Friday evening.

“These were the ambassadors from humanity to the starts that we sent out there,” Isaacman said.

He also emphasized that this mission set the stage for a future moon landing — and base.

“This is not a once in a lifetime … This is just the beginning,” he said during the interview. “We are going to get back into doing this with frequency, sending missions to the moon, until we land on it in 2028 and start building our base.”

On April 6, the spacecraft reached 252,756 miles from Earth, the farthest distance traveled by humans. Artemis II broke the Apollo 13crew’s record of 248,655 miles, set in 1970.

The crew conducted a seven-hour lunar flyby, coming within about 4,000 miles of the moon’s surface and seeing areas of the moon never before seen by the naked eye. In addition to testing the spacecraft, the astronauts studied the far side of the moon during a solar eclipse and observed lunar geological features and color variations.

Now back on Earth, the astronauts will undergo medical evaluations before heading to shore and traveling to NASA’s Johnson Space Center in Houston.

The next such mission, Artemis IIIis expected to launch next year.

Erum Salam is a breaking news reporter for MS NOW, with a focus on how global events and foreign policy shape U.S. politics. She previously was a breaking news reporter for The Guardian.

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Former staffer accuses Rep. Eric Swalwell of sexual assault, reports say

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Former staffer accuses Rep. Eric Swalwell of sexual assault, reports say

A former staffer has accused Democratic Rep. Eric Swalwell, a current candidate for California governor, of reportedly sexually assaulting her.

The allegations were first reported by the San Francisco Chronicle.

The woman, who has not been publicly identified and worked for Swalwell for nearly two years, alleged she had sexual encounters while he was her boss, and he sexually assaulted her on two occasions when she was too intoxicated to consent, the Chronicle reported. The woman told the paper Swalwell began pursuing her weeks after she was hired at age 21 to work in the Democrat’s district in 2019.

The woman claimed Swalwell invited her for drinks in 2019, and during that encounter, she became too intoxicated to remember what happened. She alleged she woke up naked in his hotel bed, and following the incident, he distanced himself and their relationship eventually dissolved.

Five years later, in 2024, the woman alleged she attended a charity gala where Swalwell was honored. After the event, she said they met for drinks and she became intoxicated, but remembers only fragments of the night, including pushing him away and saying “no” as he allegedly forced himself on her. She texted a friend three days later, according to the Chronicle, saying she had been sexually assaulted by Swalwell.

In text messages, independently review by the Chronicle, the woman told her friend she “blacked out” but “woke up once during it and even told him to stop at one point.”

The Chronicle spoke with the woman’s friend and the woman’s ex-boyfriend, who she said she told about the alleged 2024 assault the following day. Both corroborated her story and described her as appearing disoriented.

Medical records, according to the Chronicle, also show she sought pregnancy and sexually transmitted disease tests about a week after the incident.

The woman told the Chronicle she did not immediately tell authorities because she feared people wouldn’t believe she was telling the truth.

Swalwell, who has represented California’s 14th Congressional District since 2013 and launched his gubernatorial campaign earlier this year, strongly denied the claims in a statement Friday.

“These allegations are false and come on the eve of an election against the frontrunner for governor. For nearly 20 years, I have served the public — as a prosecutor and a congressman and have always protected women,” Swalwell said. “I will defend myself with the facts and where necessary bring legal action. My focus in the coming days is to be with my wife and children and defend our decades of service against these lies.”

An attorney for Swalwell sent the woman a cease-and-desist letter on Thursday, according to the Chronicle, accusing her of making false claims of sexual assault and nonconsensual encounters, and warning that legal action would follow if she did not retract the allegations.

In a separate report, three other women spoke with CNNabout alleged various kinds of sexual misconduct, including Swalwell sending them unsolicited inappropriate messages or photos. The messages, the women said, were often sent through Snapchat, which is a social media platform that allows messages to delete automatically and notifies users of screenshots.

“Some of the allegations I’ve seen, which is that we’ve had NDAs in the office — never. There’s never been an allegation, and there’s never been a settlement,” Swalwell told reporters Tuesday.

Political fallout

Swalwell’s campaign initially showed signs of strong momentum in the crowded California governor’s race to replace current Gov. Gavin Newsom, who has called the allegations “deeply troubling.”

“As we continue to learn more, these allegations from multiple sources are deeply troubling and must be taken seriously,” Newsom’s spokesperson said in a statement to MS NOW.

Swalwell’s campaign also benefited from backing from key Democratic allies, positioning him as a viable contender in a fragmented field with no clear front-runner.

But the reports of the allegations, along with separate unverified claimscirculating online, have sparked backlash and prompted some political fallout, including campaign disruptions and heightened attention from rivals. Multiple people resigned from Swalwell’s orbit ahead of Friday’s scathing report of sexual assault, including Courtni Pugh, who served as a strategic adviser.

Rep. Jimmy GomezD-Calif., resignedas co-chair of Swalwell’s campaign, saying in part “he cannot in good conscience remain” in the role and suggesting that Swalell “should leave the race now.” Rep. Adam Gray, D-Calif., also resigned as campaign co-chair and called for Swalwell to suspend the campaign.

Other prominent Democrats also quickly began distancing themselves.

House Democrats issued a joint statement calling for a “swift investigation” and for Swalwell to end his bid.

“All perpetrators of sexual assault and harassment must be held accountable,” House Minority Leader Hakeem Jeffries, D-NY wrote.

Former Speaker Nancy Pelosi declared this an “extremely sensitive matter” and said she discussed with Swalwell that the investigation would be “best done outside of a gubernatorial campaign.”

Sen. Adam Schiff, D-Calif., said he is “deeply distressed” about the allegations surrounding Swalwell and immediately withdrew his endorsement.

“This woman was brave to come forward, and we should take her story seriously,” Schiff said on X. “I am withdrawing my endorsement immediately, and believe that he should withdraw from the race.”

Sen. Ruben Gallego, D-Ariz., called the allegations “indefensible” and also immediately withdrew his endorsement of his longtime ally.

“Women who come forward with accounts like this deserve to be heard with respect, not questioned or dismissed. I regret having come to his defense on social media prior to knowing all the information. I am equally as shocked and upset about what has transpired,” Gallego wroteon X.

Two of Swalwell’s key labor allies, Service Employees International Union of California withdrew and California Teachers Association, retracted their support Friday, marking a significant blow to his campaign.

“The allegations are incredibly disturbing and unacceptable against Rep. Swalwell. We are immediately suspending our support. Our elected board will be meeting as soon as possible to follow our union’s democratic process to determine next steps,” the CTA said in a statement.

Democratic billionaire Tom Steyer said he commends“the brave former staffer who came forward with her story” about Swalwell.

“Speaking out is never easy, and her account must be taken seriously. At a moment like this, we must make sure that women are heard, and justice is pursued,” Steyer added.

Former Rep. Katie Porter called the allegation “horrifying,” adding she is thinking of the courageous women who have come forward to share their stories.”

The California Democratic Party labeled the allegations “deeply disturbing.”

“Any person engaged in misconduct must take responsibility and be held accountable for their actions — including a Member and candidate for Governor,” CADEM Chair Rusty Hicks said.

Swalwell’s Republican gubernatorial opponent, former Fox News host Steve Hilton, blasted Swalwell over the allegations in a statement to MS NOW.

“It’s incredible to me that Eric Swalwell thought he could run for Governor of California while all this was going on,” Hilton said in the statement. “It shows the complete contempt these career politicians have for the public.”

As of Friday evening, Swalwell’s fundraising page on ActBlue appeared to no longer be accepting donations.

Jillian Frankel and Syedah Asghar contributed to this report.

Ebony Davis is a breaking news reporter for MS NOW based in Washington, D.C. She previously worked at BLN as a campaign reporter covering elections and politics.

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